{"id":19,"date":"2023-11-01T14:28:35","date_gmt":"2023-11-01T14:28:35","guid":{"rendered":"https:\/\/lisettemaymonroe.com\/?page_id=19"},"modified":"2025-12-14T16:44:43","modified_gmt":"2025-12-14T16:44:43","slug":"writing","status":"publish","type":"page","link":"https:\/\/lisettemaymonroe.com\/index.php\/home\/writing\/","title":{"rendered":"Writing"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"19\" class=\"elementor elementor-19\">\n\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6d2d89e e-con-full e-flex e-con e-parent\" data-id=\"6d2d89e\" data-element_type=\"container\" data-settings=\"{&quot;content_width&quot;:&quot;full&quot;,&quot;background_background&quot;:&quot;classic&quot;}\" data-core-v316-plus=\"true\">\n\t\t\t\t<div class=\"elementor-element elementor-element-c567187 elementor-widget elementor-widget-text-editor\" data-id=\"c567187\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.17.0 - 01-11-2023 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>REVIEWS\u00a0<br \/><em style=\"color: inherit; font-family: inherit; font-size: 1rem; background-color: var( --e-global-color-primary ); text-align: var(--text-align);\">Lisette May Monroe ceased any writing for Artforum in October 2023 in solidarity with Palestine<br \/><\/em><a href=\"https:\/\/www.frieze.com\/article\/must-see-lauren-gault-bone-stone-voice-alone-2025\">LAUREN GAULT &#8211; FRIEZE<\/a><em style=\"color: inherit; font-family: inherit; font-size: 1rem; background-color: var( --e-global-color-primary ); text-align: var(--text-align);\"><br \/><\/em><a href=\"https:\/\/www.frieze.com\/article\/hayley-tompkins-surroundings-review-2025\">HAYLEY TOMPKINS &#8211; FRIEZE<\/a><br \/><a href=\"https:\/\/tank.tv\/magazine\/issue-99\/front\/andrea-fraser\">ANDREA FRASER &#8211; TANK\u00a0<\/a><br \/><a href=\"https:\/\/www.frieze.com\/article\/lucy-mckenzie-super-palace-2024-review\">LUCY MCKENZIE &#8211; FRIEZE<\/a><em style=\"color: inherit; font-family: inherit; font-size: 1rem; background-color: var( --e-global-color-primary ); text-align: var(--text-align);\"><br \/><\/em><a href=\"https:\/\/artreview.com\/home-ukrainian-photography-uk-words-stills-edinburgh-review-lisette-may-monroe\/\">AT HOME IN THE PHOTOGRAPH &#8211; ART REVIEW<\/a>\u00a0<br \/><a href=\"https:\/\/www.frieze.com\/article\/marc-hundley-once-tree-2024-review\">MARC HUNDLEY &#8211; THE MODERN INSTITUTE, GLASGOW &#8211; FRIEZE\u00a0<\/a><br \/><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem;\" href=\"https:\/\/www.artforum.com\/events\/david-l-johnson-2-517422\/\">DAVID L JOHNSON &#8211; ARTFORUM<\/a><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var( --e-global-color-primary ); text-align: var(--text-align); font-size: 1rem;\">\u00a0<br \/><\/span><a href=\"https:\/\/www.frieze.com\/article\/k-patrick-review-2023\">K PATRICK &#8211; FRIEZE <\/a><br \/><a href=\"https:\/\/contemporary.burlington.org.uk\/reviews\/reviews\/marc-camille-chaimowicz-nuit-americaine\">MARC CAMILLE CHAIMOWICZ &#8211; BURLINGTON CONTEMPORARY<\/a><br \/><span style=\"color: inherit; font-family: inherit; font-size: 1rem; background-color: var( --e-global-color-primary ); text-align: var(--text-align);\"><a href=\"https:\/\/www.frieze.com\/article\/art-night-dundee-2023-review\">ART NIGHT DUNDEE &#8211; FRIEZE\u00a0<\/a><br \/><a href=\"https:\/\/www.artnews.com\/list\/art-news\/news\/liverpool-biennial-2023-best-works-1234672641\/\">LIVERPOOL BIENNIAL &#8211; ARTNEWS\u00a0<\/a><br \/><a href=\"https:\/\/www.artforum.com\/events\/margaret-salmon-251584\/\">MARGARET SALMON &#8211; ARTFORUM<\/a><br \/><a href=\"https:\/\/www.artforum.com\/events\/jacob-kassay-2-251415\/\">JACOB CASSEY &#8211; ARTFORUM<\/a><br \/><\/span><span style=\"font-family: inherit; font-size: 1rem; background-color: var( --e-global-color-primary ); text-align: var(--text-align);\"><a href=\"https:\/\/www.artforum.com\/events\/andrew-black-251367\/\">ANDREW BLACK &#8211; ARTFORUM<\/a><br \/><a href=\"https:\/\/www.artforum.com\/events\/ragini-chawla-251302\/\">RAGINI CHALWA &#8211; ARTFORUM<\/a><br \/><\/span><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem;\" href=\"https:\/\/www.frieze.com\/article\/michael-e-smith-review-2023\" target=\"_blank\" rel=\"noopener\">MICHAEL E SMITH &#8211; FRIEZE\u00a0\u00a0<\/a><br \/><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem; background-color: #f3ddf2;\" href=\"https:\/\/www.theguardian.com\/artanddesign\/2023\/apr\/13\/jasleen-kaur-alter-altar-review-tramway-glasgow\" target=\"_blank\" rel=\"noopener\">JASLEEN KAUR &#8211; THE GUARDIAN\u00a0<\/a><br \/><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: 1rem; text-align: var(--text-align); font-weight: var( --e-global-typography-text-font-weight ); background-color: #f3ddf2;\" href=\"https:\/\/www.theguardian.com\/artanddesign\/2023\/mar\/22\/the-accursed-share-colonial-era-debt-bomb-plant-pots\" target=\"_blank\" rel=\"noopener\">THE ACCURSED SHARE &#8211; THE GUARDIAN\u00a0<\/a><br \/><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem;\" href=\"https:\/\/www.frieze.com\/article\/ishiuchi-miyako-stills-gallery-2022-review\" target=\"_blank\" rel=\"noopener\">ISHIUCHI MIYAKO CAPTURES WHAT WE LEAVE BEHIND<\/a><span style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var( --e-global-color-primary ); text-align: var(--text-align); font-size: 1rem;\"><span style=\"color: rgba(0, 0, 0, 0);\">\u00a0&#8211;<\/span><\/span><br \/><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem;\" href=\"https:\/\/www.artforum.com\/events\/victoria-smith-251197\/\" target=\"_blank\" rel=\"noopener\">VICTORIA SMITH &#8211; ARTFORUM<\/a><span style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var( --e-global-color-primary ); text-align: var(--text-align); font-size: 1rem;\"><span style=\"color: rgba(0, 0, 0, 0);\">\u00a0<\/span><br \/><\/span><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem;\" href=\"https:\/\/www.artforum.com\/events\/jesse-wine-3-251003\/\" target=\"_blank\" rel=\"noopener\">JESSE WINE &#8211; ARTFORUM\u00a0<\/a><br \/><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem;\" href=\"https:\/\/www.artforum.com\/events\/bernie-reid-251043\/\">BERNIE REID &#8211; ARTFORUM<\/a><span style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var( --e-global-color-primary ); text-align: var(--text-align); font-size: 1rem;\"><span style=\"color: rgba(0, 0, 0, 0);\">\u00a0<\/span><br \/><\/span><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem; background-color: #f3ddf2;\" href=\"https:\/\/www.artforum.com\/events\/norman-gilbert-250794\/\" target=\"_blank\" rel=\"noopener\">NORMAN GILBERT &#8211; ARTFORUM\u00a0<\/a><br \/><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2022\/dec\/15\/michael-arthur-williams-review-dundee-contemporary-arts\" target=\"_blank\" rel=\"noopener\">MATTHEW ARTHUR WILLIAMS- THE GUARDIAN<\/a>\u00a0<br \/><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2022\/nov\/14\/elizabeth-price-underfoot-hunterian-art-gallery-review\" target=\"_blank\" rel=\"noopener\">ELIZABETH PRICE &#8211; THE GUARDIAN\u00a0<\/a><br \/><a style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align); font-size: 1rem;\" href=\"https:\/\/www.frieze.com\/article\/best-london-shows-see-post-frieze-week\" target=\"_blank\" rel=\"noopener\">BEST SHOWS TO SEE IN LONDON POST FRIEZE WEEK &#8211; FRIEZE\u00a0<\/a><\/p><p>ARTICLES\u00a0<br \/><a href=\"https:\/\/bombmagazine.org\/articles\/2025\/08\/01\/lewis-walker-by-lisette-may-monroe\/\">LEWIS WALKER &#8211; BOMB<\/a><br \/><a href=\"https:\/\/www.frieze.com\/article\/evangeline-turner-lisette-may-monroe-alastair-mackinven-254\">EVANGELINE TURNER &#8211; FRIEZE\u00a0<\/a><br \/><a href=\"https:\/\/www.frieze.com\/article\/philosophy-art-party\">THE PHILOSOPHY OF THE ART PARTY &#8211; FRIEZE<\/a><br \/><a style=\"font-family: inherit; font-size: 1rem; text-align: var(--text-align); font-weight: var( --e-global-typography-text-font-weight );\" href=\"https:\/\/elephant.art\/everything-you-need-to-know-for-edinburgh-art-festival-2024\/\">EVERYTHING YOU NEED TO KNOW FOR EDINBURGH ART FESTIVAL 2024 &#8211; ELEPHANT <\/a><br \/><a href=\"https:\/\/kendallkoppe.gallery\/exhibitions\/16-miguel-cardenas-shadow-garden\/press_release_text\/\">MIGUEL CARDENAS: SHADOW GARDEN &#8211; KENDALL KOPPE<\/a><br \/><a href=\"https:\/\/elephant.art\/the-locals-guide-to-glasgow-international\/\">THE LOCAL&#8217;S GUIDE TO GLASGOW INTERNATIONAL &#8211; ELEPHANT<\/a><br \/><a href=\"https:\/\/elephant.art\/how-to-hold-collective-memory\/\">JOHN AKOMFRAH &#8211; ELEPHANT\u00a0<\/a><br \/><a href=\"https:\/\/elephant.art\/what-peter-hujars-portraits-in-life-and-death-taught-us-about-grief\/\">PETER HUJAR &#8211; FRIEZE\u00a0<\/a><br \/><a href=\"https:\/\/www.theguardian.com\/artanddesign\/commentisfree\/article\/2024\/may\/21\/beryl-cook-paintings-fat-bodies-fatphobia\">BERYL COOK &#8211;\u00a0 THE GUARDIAN<\/a><br \/><a href=\"https:\/\/elephant.art\/venice-recommendations-for-when-you-need-a-break-from-it-all\/\">VENICE RECOMMENDATIONS FROM WHEN YOU NEED A BREAK FROM IT ALL &#8211; ELEPHANT\u00a0<\/a><br \/><a href=\"https:\/\/elephant.art\/how-tamara-hendersons-green-in-the-grooves-explores-the-importance-of-a-communion-with-the-earth-that-surrounds-us\/\">TAMARA HENDERSON &#8211; ELEPHANT\u00a0<\/a><br \/><span style=\"color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var( --e-global-color-primary ); text-align: var(--text-align); font-size: 1rem;\"><a href=\"https:\/\/www.artnews.com\/list\/art-news\/artists\/eva-international-2023-best-works-1234684978\/\">EVA INTERNATIONAL &#8211; ART NEWS<\/a><\/span><br \/><a href=\"https:\/\/plastermagazine.com\/articles\/martine-syms-present-goo-sadie-coles\/\" target=\"_blank\" rel=\"noopener\">MARTINE SYMS &#8211; PLASTER\u00a0<\/a><br \/><a href=\"https:\/\/list.co.uk\/news\/43462\/monster-chetwynd-it-just-seemed-to-chime-with-that-thing-of-the-neglected-nocturnal-creature\" target=\"_blank\" rel=\"noopener\">MONSTER CHETWYND &#8211; THE LIST\u00a0\u00a0<\/a><br \/><span style=\"font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); background-color: var( --e-global-color-primary ); text-align: var(--text-align); font-size: 1rem;\"><span style=\"color: rgba(0, 0, 0, 0);\"><span style=\"color: inherit; font-family: inherit; font-size: 1rem; background-color: var( --e-global-color-primary ); text-align: var(--text-align);\"><a href=\"https:\/\/www.artnews.com\/art-news\/artists\/sin-wai-kin-fondazione-memmo-exhibition-1234680828\/\">SIN WAI KIN &#8211; ART NEWS\u00a0<\/a><br \/><a href=\"https:\/\/www.frieze.com\/article\/nikita-gale-bmw-open-work-2022\">NIKITA GALE &#8211; FRIEZE<\/a><\/span><\/span><\/span><\/p><p>WRITING\u00a0<br \/><a href=\"https:\/\/tank.tv\/magazine\/issue-103\/features\/what-s-the-most-frightened-you-ve-ever-been-by-a-book\">WHAT&#8217;S THE MOST FRIGHTENED YOU&#8217;VE EVER BEEN BY A BOOK &#8211; TANK<\/a><br \/><a href=\"https:\/\/theyellowpaper.org.uk\/texts\/if-they-want-us-out-theyll-knock\/\">IF THEY WANT US OUT, THEY&#8217;LL KNOCK &#8211; THE YELLOW PAPER<\/a><br \/><a href=\"https:\/\/lisettemaymonroe.com\/index.php\/andrew-sim-two-rainbows-and-a-forest-of-plants-and-trees-jupiter-artland-2024\">ANDREW SIM &#8211; TWO RAINBOWS AND A FOREST OF PLANTS AND TREES &#8211; JUPITER ARTLAND\u00a0<\/a><br \/><a href=\"https:\/\/kendallkoppe.gallery\/exhibitions\/11-sevina-tzanou-the-great-disastress\/press_release_text\/\">SEVINA TZANOU &#8211; THE GREAT DISASTRESS &#8211; KENDALL KOPPE<\/a><br \/><a href=\"https:\/\/kendallkoppe.gallery\/exhibitions\/14-hamish-chapman-love-game\/press_release_text\/\">HAMISH CHAPMAN &#8211; LOVE GAME &#8211; KENDALL KOPPE\u00a0<\/a><br \/><a style=\"background-color: #f3ddf2;\" href=\"https:\/\/studiocybi.com\/hi-candice\/\" target=\"_blank\" rel=\"noopener\">HI, CANDICE &#8211; STUDIO CYBI\u00a0<\/a><br \/><a style=\"background-color: #f3ddf2;\" href=\"https:\/\/nothingpersonalmagazine.com\/tag\/editorial\/\" target=\"_blank\" rel=\"noopener\">NOTHING PERSONAL\u00a0<\/a><br \/><a style=\"background-color: #f3ddf2; font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-size: 1rem; font-weight: var( --e-global-typography-text-font-weight ); text-align: var(--text-align);\" href=\"https:\/\/mapmagazine.co.uk\/have-you-seen-her\" target=\"_blank\" rel=\"noopener\">HAVE YOU SEEN HER &#8211; MAP MAGAZINE<\/a><br \/><a href=\"https:\/\/mapmagazine.co.uk\/bodies-proximity-and-place\" target=\"_blank\" rel=\"noopener\">BODIES, PROXIMITY AND PLACE &#8211; MAP MAGAZINE\u00a0\u00a0<\/a><br \/><a href=\"https:\/\/stickyfingers.cargo.site\/In-Your-Letterbox\">ALL CONSUMING &#8211; MONTHLY CONSUMER COLUMN &#8211; STICKY FINGERS NEWSLETTER<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>REVIEWS\u00a0Lisette May Monroe ceased any writing for Artforum in October 2023 in solidarity with PalestineLAUREN GAULT &#8211; FRIEZEHAYLEY TOMPKINS &#8211; FRIEZEANDREA FRASER &#8211; TANK\u00a0LUCY MCKENZIE &#8211; FRIEZEAT HOME IN THE PHOTOGRAPH &#8211; ART REVIEW\u00a0MARC HUNDLEY &#8211; THE MODERN INSTITUTE, GLASGOW &#8211; FRIEZE\u00a0DAVID L JOHNSON &#8211; ARTFORUM\u00a0K PATRICK &#8211; FRIEZE MARC CAMILLE CHAIMOWICZ &#8211; BURLINGTON CONTEMPORARYART [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":148,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/pages\/19"}],"collection":[{"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":52,"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":271,"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/pages\/19\/revisions\/271"}],"up":[{"embeddable":true,"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/pages\/148"}],"wp:attachment":[{"href":"https:\/\/lisettemaymonroe.com\/index.php\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}